Porcelain vs China

Moby’s not the only one who put porcelain on the map. So did China hence why some dishes we use are called China. Porcelain can informally be referred to as "china" in some English-speaking countries, as China was the birth place of porcelain making  

Porcelain is a ceramic material fired to temperatures between 1,200 °C (2,192 °F) and 1,400 °C (2,552 °F). The toughness, strength, and translucence of porcelain arise mainly from the formation of glass and the mineral mullite within the fired body at these high temperatures.

I have heard that throwing porcelain on the wheel is much like attempting to make a bowl out of a stick of butter. But I think it may just be the next step or evolution of the Naked Raku donut sculpture I am currently working on.

Accidents happen....


What does Thomas the Train say - Accidents happen now and again
Sometimes just by chance. You gotta pick yourself up and dust yourself down. Put it down to experience.
Lesson # 105.1

What to do when your hard efforts blow up in the kiln.

Time to reflect and say SLOW DOWN!


It was, and is still, going to be a great learning process for me. I have never fired a raku kin for a piece this big before. Maybe I am just crazy but the final imagery that I see in my mind has to be brought to fruition. I can’t stop thinking about it.

You see, when clay or green ware is ready to go into the kiln for a bisque firing it needs to be 100% dry. I thought my sculptures were dry. It had been a week but perhaps they needed two or three to dry completely. If they are not dry you run the risk of having your pieces explode and take out other pieces in the kiln.
 
I will move on and make another round of sculpture circles/donuts out of high fire clay and let them dry completely this time. I hope you can learn from this over eager beavers mistake! Thanks for sticking with me and I promise you a final product by the end of summer!

Naked Raku

I am about to embark on something hot and naked. No it’s not what you might think! What I would like to introduce to you is an art form from the Japanese ancients. Naked Raku!

So what is Naked Raku?

Naked Raku is the random action of a resist medium (Liquid Clay) combined with the heat of the fire and the kiss of smoke against the clay provides the magic that is "Naked Raku".


A specially formulated thick and gooey medium, the resist, is applied to a previously bisque-fired pot. Immediately placed into a hot raku kiln the medium begins to shrink and crack as it heats and dries. Upon reaching the desired heat (between 1400°F and 1500°F) the pot is removed from the kiln with long tongs and placed in a reduction chamber containing sawdust.

The resulting flames and smoke are contained and controlled by covering the chamber and the pot is permitted to smoke for a few minutes. Then once more the pot is moved----this time it is plunged into a tub of cold water. The medium separates from the pot and the resulting pattern is visible.



Wish me luck and stay tuned for a video post of the final work.

Wares oh Wares that little pot gone

There are many types of clay bodied and glaze compositions. The Following three have been pare for the course of history as it was the Asian culture that inundated the western civilisation style and technique in producing wares.


Earthenware
Pottery comprises three distinctive types of wares. The first type, earthenware, has been made following virtually the same techniques since ancient times; only in the modern era has mass production brought changes in materials and methods. Earthenware is basically composed of clay--often blended clays--and baked hard, the degree of hardness depending on the intensity of the heat. After the invention of glazing, earthenwares were coated with glaze to render them waterproof; sometimes glaze was applied decoratively. It was found that, when fired at great heat, the clay body became nonporous. This second type of pottery, called stoneware, came to be preferred for domestic use.
Stoneware

The third type of pottery is a Chinese invention that appeared when feldspathic material in a fusible state was incorporated in a stoneware composition. The ancient Chinese called decayed feldspar kaolin (meaning "high place," where it was originally found); this substance is known in the West as china clay. Petuntse, or china stone, a less decayed, more fusible feldspathic material, was also used in Chinese porcelain; it forms a white cement that binds together the particles of less fusible kaolin. Significantly, the Chinese have never felt that high-quality porcelain must be either translucent or white. Two types of porcelain evolved: "true" porcelain, consisting of a kaolin hard-paste body, extremely glassy and smooth, produced by high temperature firing, and soft porcelain, invariably translucent and lead glazed, produced from a composition of ground glass and other ingredients including white clay and fired at a low temperature. The latter was widely produced by 18th-century European potters.
Chinese porcelain

It is believed that porcelain was first made by Chinese potters toward the end of the Han period (206 BC-AD 220), when pottery generally became more refined in body, form, and decoration. The Chinese made early vitreous wares (protoporcelain) before they developed their white vitreous ware (true porcelain) that was later so much admired by Europeans.

Regardless of time or place, basic pottery techniques have varied little except in ancient America, where the potter's wheel was unknown. Among the requisites of success are correct composition of the clay body by using balanced materials; skill in shaping the wet clay on the wheel or pressing it into molds; and, most important, firing at the correct temperature. The last operation depends vitally on the experience, judgment, and technical skill of the potter.

Dragon Kilns

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This weekend Studio Link is out to the farm to fire some of my wares in a large wood fire kiln.


The difference between wood fire and electric kilns are vast. The results achieved when firing a wood fire or gas fire kiln seem to be the desired technique (reduction firing) by most, but, that is just my opinion and there are just as many arguments for oxidation firing (electric).
The Dragon Kiln has to be one of the most fascinating Kilns I have ever come across. It was use over 2000 years ago. Not just for creative art but for production as well as the kiln could hold 80 000 porcelain pots.
Dragon kilns originated in south China about 2,000 years ago
The extinct dragons lie with heads at the base of the hill and tails at the top. Each kiln had a fire bore, kiln house, and smoke outlet, and could produce about 80,000 porcelain pieces at a time.
The wares were fired at 1100? to 1200? for forty hours or so, and cooled for another 24 before they could be taken out to produce the exotic gold-accented black-glazed porcelain so prized by the Japanese and Koreans


Dragon kiln
1 Door about 75 centimeters (30 in) wide
2 Firebox
3 Stacking floor made of silica sand
4 Dampers
5 Flue
6 Chimney
7 Refractory arch




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